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“REGARDING NOW AND THEN THE LAST MELODY OF THE BEATLES”
I decided to explain this fact because I’ve been reading all kinds of nonsense and a lot of people are going crazy saying, “Oh my God! They’re going to recreate John’s voice!”
In 1994, during John Lennon’s induction ceremony into the Rock and Roll Hall of Fame, conducted by Paul McCartney, Yoko handed to him a cassette tape with four songs: “Free As a Bird”, ” Real Love”, which were worked on and released as singles in 1995 and 1996. The other songs, such as “Grow Old With Me”, were banned because they were not new songs by John, as they had been released on John’s posthumous album of 1984, “Milk and Honey”, exactly like demos. The fourth song, “Now and Then”, which was to be the third single from Anthology Volume 3, was vetoed by George Harrison because he did not like the quality, the song or the audio.
That’s probably was the song which Paul talked about today on the BBC, where John recorded it in 1978 using a cassette recorder while playing the piano or another instrument.
During the Anthology era, they used the recordings from that cassette with John playing the piano, like on “Real Love”, which was the most difficult, since it was just a recording so as not to forget the melody, and John sang and played at his own pace. whim, out of tone and rhythm. They couldn’t just use John’s voice because the piano was included.
Nowadays with the help of artificial intelligence (AI), the program recognized the piano and a voice in the recording, and eliminated ONLY John’s voice and then place it in the PROTOOLS, which is a computer program that simulates a recording table. They will open a channel to add that John voice and then other musicians will add instruments, effects, choruses and even enhance and maybe correct John’s voice.
So nothing of John could be recreated, only his voice was removed, without the piano or other instrument from that cassette tape, as Peter Jackson did with the “The Beatles Get Back” project, where each microphone captured more than one thing. ”Tamás, elemzés helyett akkor hallgassuk meg az új Lennon and Co dalt. 🙂
The devil, angry and betrayed by Freddie not keeping the pact, says, “So you think you can stone me and spit in my eye? So you think you can love me and leave me to die?”
Tehát akkor Freddinek viszonya volt az ördöggel?
Hát, nemtom. A hermeneutikát kihagynám a rockzenéből.
Ma 48 éve, 1975 október 31-én jelent meg Bohemian Rhapsody. Nekem is megvolt a teóriám a keletkezéséről, mint oly sokaknak. Itt van még egy, de valószínűleg ez van a legközelebb ahhoz, hogy “mire gondolt a költő?”
The movie premiered on October 31 because the single was first heard on October 31, 1975. It’s titled that way because a ‘Rhapsody’ is a free-form musical piece composed of different parts and themes that seem unrelated to each other.
The word ‘rhapsody’ comes from Greek and means ‘assembled parts of a song.’
The word ‘bohemian’ refers to a region in the Czech Republic called Bohemia, where Faust, the protagonist of Goethe’s work of the same name, was born. In Goethe’s work, Faust was an elderly and intelligent man who knew everything except the mystery of life. Unable to comprehend it, he decides to poison himself.
At that moment, church bells ring, and he goes outside. When he returns to his room, he finds a dog that transforms into a kind of man. It’s the devil, Mephistopheles. He promises Faust a full life without misery in exchange for his soul. Faust agrees, rejuvenates, and becomes arrogant. He meets Gretchen and has a child. His wife and child die. Faust travels through time and space and feels powerful. When he becomes old again, he feels miserable once more. Since he didn’t break the pact with the devil, angels contend for his soul.
This work is essential to understanding ‘Bohemian Rhapsody.’
The song is about Freddie Mercury himself. Being a rhapsody, it has 7 different parts:
1st and 2nd acts – A Capella
3rd act – Ballad
4th act – Guitar solo
5th act – Opera
6th act – Rock
7th act – ‘Coda’ or final act
The song talks about a poor boy questioning if this life is real or if his distorted imagination is living another reality. He says that even if he stops living, the wind will keep blowing without his existence. So, he makes a deal with the devil and sells his soul.
Upon making this decision, he rushes to tell his mother and says…
“Mama, I just killed a man, put a gun against his head, pulled my trigger, now he’s dead. Threw my life away. If I’m not back again this time tomorrow, carry on, carry on as if nothing really matters…”
The man he kills is himself, Freddie Mercury.
If he doesn’t fulfill the pact with the devil, he will die immediately.
He says goodbye to his loved ones, and his mother breaks into tears, tears and desperate crying that comes from Brian May’s guitar notes. Freddie, terrified, cries out, “Mama, I don’t want to die,” and the operatic part begins. Freddie finds himself in an astral plane where he sees himself: “I see a little silhouetto of a man”… “Scaramouche, will you do the Fandango?”
Scaramouche is an “escaramuza,” a skirmish between armies with horseback riders (4 horsemen of the Apocalypse of evil fighting against the forces of good for Freddie’s soul), and he continues, saying, “Thunderbolt and lightning, very, very frightening me.”
This phrase appears in the Bible, specifically in Job 37 when it says, “the thunder and lightning frighten me: my heart pounds in my chest.” Seeing his son so scared by the decision he has made, Freddie’s mother begs to save him from the pact with Mephistopheles. “He’s just a poor boy…” “Spare him his life from this monstrosity.” “Easy come, easy go, will you let me go?” Her pleas are heard, and angels descend to battle the forces of evil. “Bismillah” (an Arabic word meaning “In the name of God”) is the first word in the holy book of Muslims, the Quran. So, God Himself appears and shouts, “We will not let you go.”
In the face of such a confrontation between good and evil, Freddie fears for his mother’s life and says, “Mama mia, mama mia, let me go.” They shout again from the sky that they won’t abandon him, and Freddie cries, “No, no, no, no, no,” and says, “Beelzebub (the Lord of Darkness) has a devil put aside for me.” Freddie pays homage here to Wolfgang Amadeus Mozart and Johann Sebastian Bach when he sings… “Figaro, Magnifico,” referring to Mozart’s “The Marriage of Figaro,” considered the greatest opera of all time, and to Bach’s “Magnificat.”
The operatic part ends, and the rockier part bursts in. The devil, angry and betrayed by Freddie not keeping the pact, says, “So you think you can stone me and spit in my eye? So you think you can love me and leave me to die?”
It’s chilling how the Lord of Evil feels powerless against a human being, against repentance and love.
Having lost the battle, the devil departs, and we reach the final act or ‘coda’ where Freddie is free, and that feeling comforts him. The gong that closes the song sounds. The gong is an instrument used in China and East Asian cultures to heal people under the influence of evil spirits.
It lasts for 5:55 minutes. Freddie liked astrology, and in numerology, 555 is associated with death, not physical but spiritual, the end of something where angels will safeguard you. 555 is related to God and the divine, an ending that will lead to a new beginning.
And the song plays on Halloween eve for the first time. A holiday called ‘Samhain’ by the Celts to celebrate the transition and opening to the other world.
The Celts believed that the world of the living and the dead were closely connected, and on the Day of the Dead, both worlds would unite, allowing spirits to cross over.
Nothing in ‘Bohemian Rhapsody’ is coincidental.
Everything is carefully crafted and has a meaning that goes beyond being just a song.
It has been voted worldwide as the greatest song of all time…ami érdekes, mert Freddie a legjobb dalának a Somebody To Love gospel rockot tartotta.… readyteddy … azért… Lennon elég sok kezdeményt hozott Paulnak anno…
Kis kazettás-magnóján vette föl a Strawberry -kezdeményt is…
Mégis lett belőle valami …persze… egészen más egy gagyira rápakolni az Intelligenciát mint tök újonnan felvenni egy nótát
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Nem a pénz kell Paulnak… tuti…
Öregszik… egyre többet nosztalgiázik, gondol Lennonra……. eszje … hehehihihaha… A Szendrey-Karper volt az Atyaúristen!
Közönség előtti felvételt leállíttatott a Rádió híres 6-os stúdiójában, mert CAPO-t használtunk…
3 gitárstílus lett VOLNA összehasonlítva —
Szendrey a “klasszikust”, mi a “folkot”, a kisKurtág Gyuri meg loopolt Hendrixet…
Őt is ki akarta rúgni, de nem lehetett, mert …Kurtág…
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Pér hét múlva bedobtak egy bélyeg nélküli képeslapot a lakótelepi postaládánkba.
Ez volt ráírva:
“Remélem nincs harag!
Remélem, nemsokára a tanítványaim lesztek !!!
Sz.Karper”readyteddy Valószínűleg van pár felvétel Harrison gitárjátékáról és Paul feljátszotta újra a billentyűsávot. Lehet, hogy lesznek rajta vokálsávok is, amiket Paul énekelt fel. Mindenesetre úgy látszik az AI teljesen beette magát a zeneiparba, tavaly a Face It Alone Queen dalhoz is segítségül vették, most meg ehhez a Now and Then-hez is.
alta:
Ezt a dalt már egyszer megpróbálták elővenni. Egy ugyanolyan érdektelen, stílusidegen katyvasz lesz belőle, mint a Free as a Bird volt, amit az Anthology idején erőltettek ki magukból hármasban. Nyilván nem kevés pénzért.
Ehhez a dalhoz már hozzányúlni sem volt hajlandó akkoriban Harrison, mert annyira gyengének találta.
Ha valaki azt hinné túlzok: https://en.wikipedia.org/wiki/Now_and_Then_(Beatles_song)
Nem csoda, hogy most tudják kiadni, mikor már ő is Lennon-nal gitározgat.
Eleve egy trágya minőségű, félkész demo előrángatása, amit Lennon se akart volna kiadni, és később Harrison is berzenkedett tőle elég bizarr ötlet.
Mindenesetre nyugdíj-kiegészítésnek megfelelő.
“Mit szólna ehhez Kodály? – Emmanuel Pécsen….”
Az hagyján! Mit szólna ehhez Szendrey-Karper 🙂A múltkor kétszer belinkelt Black Mountain Rag kapcsán remélem, harmadiknak nem fogjátok betenni ugyanezt még gyorsabban, mondjuk Havasi Balázzsal zongoraátiratban…. vagyis: számomra ez a még-még-méggyorsabban attitűd már inkább sportteljesítmény mint művészet.
Az Úr áprilisban járt Izlandon is. Halottak napján meg jön az új Beatles dal. Persze ez már nem Beatles, ha szigorúak vagyunk, mert egy ’78-as Lennon demóból tették össze az AI segítségével. Ebből lesz valami.
… Readyteddy — a franmcba már… hogy mindenki meghal…
3 évvel volt fiatalabb nálunk…
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..Tamás … Teljesen jogosan zsémbelsz !
A tekerőt összetenni hegedővel eleve baromság.
3-4 zenész a legkellemesebb ehhez a stílushoz.. 1 vagy 2 prímás, egy kontrás, és nem árt ha van ütőgardon, ami vonóval besegíthet a kontrásnak.
Persze … ha akad a környéken egy Sebestyén Márta, ammán nagy khirrályság…
Kerestem Muzsikást a YT-on, kevés live van, de lejött TótGabi “Hidegen fújnak a szelek”,,, ÁÁÁÁÁÁÁÁÁÁ
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… Chapsy… Mink is pécsi banda vónánk, de elfajzottunk Appalache felé…
A pécsiek nagyon büszkék a temérdek zenekaraikra, már a 60-as évektől— volt aki Hendrixet zúzott … márakkor…, az tetszett…
Persze… a Kispál féleségek totál érdektelenek…— mondhatni … idegesítő valami miatt…
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.. Tamás… Jó gyakorlat a Doc’s gitár, de a srác valamiért elnagyolja, kissé eltűnedezget a dallam, főleg a H-húr visszapengetések…
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Tommy Bá tisztábban kipengeti a hangokat…
Kedves szülinapi köszöntés Sean Lennontól Paulnak.
Sokoldalú népzenész volt, nyugodjon békében. Most belehallgattam néhány dalukba, a hosszúfurulya nagyon menő.
De… pár videó után amit feldobott a Youtube amit nem értek hogy miért ment el a népzenélés Magyarországon “nagyzenekari” irányba. Amikor már ott van 5-8 vonóshangszer, tekerőlant, cimbalom, 3-5 fafúvós, ezek 80%a közel azonos hangtartományban mozog, nekem elkezd fájni a fejem tőle. “Kevés” lenne a színpadon 3-5 ember, és ezért rakják a többit?
ejj de szomorút álmodtam … 🙁 RIP Éri Péter
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